Posted on 19 Jun 2013

Ahead of the premiere of Four Perpetual Motions by members of the Philharmonia Orchestra a week on Thursday, I have written a blog post for the Royal Philharmonic Society, who commissioned the work. It's on flippancy and music – and how I attempted to write Four Perpetual Motions with some of that tone. …Flippancy, especially as expressed in art, is a kind of...

Posted on 31 May 2013

The ever-wonderful Trio Atem will perform a selection from my 'Seven Face Pictures' at the Nip & Tipple bar in Manchester this Sunday the 2nd June. Scored for mezzo-soprano, flute and cello, the piece is a song cycle on the poetry of Caroline Bird, and has been performed by Trio Atem several times since they premiered it in 2011. The...

Posted on 23 Apr 2013

The April edition of the Tempo journal, published by Cambridge Journals, contains an article by me entitled 'Pierre Boulez's Sur Incises: Refraction, Crystallisation and the Absent Idea(l)'. It's an analytical study exploring how Boulez's extraordinary piece for three pianos, three harps and three percussionists relates to its solo piano predecessor Incises, and also to Boulez's late style in general. The...

Posted on 07 Apr 2013

An update on various bits of news – I had brilliant workshops of works-in-progress with the BBC Symphony Orchestra and the Philharmonia on the 18th and 25th of March, and I've also got one more workshop with the BBC, on the 22nd April. It's such a joy and a luxury to try out material ahead of the premieres, and the eventual...

Posted on 11 Mar 2013

Three pieces of mine are being workshopped in the coming weeks – a smallish one in Wales on Thursday, a rather large one in London on Monday, and a medium one in London on the 25th. Monday the 18th brings my first workshop with the BBC Symphony Orchestra as part of my Sound and Music Embedded residency. My piece, under the...

Posted on 29 Nov 2012

Enmîmés sont les gougebosqueux, premiered earlier this year by Gemini, will receive its second performance on the 9th December at the Great Hall at King's College London. It's being played by Area21, a new ensemble directed by Mischa Tangian, a fellow student of George Benjamin at King's. My piece will be played alongside pieces by Mischa himself, Stravinsky, Ligeti, Villa-Lobos...