Darragh Morgan and Mary Dullea will give the London premiere of Limp at a concert of (mostly) British music at The Forge on Monday 7 December. The concert will also include world premieres by James Weeks, Roger Redgate, Emily Howard and Charlotte Bray, and repeat performances of music by Michael Hersch and Ryan Latimer. As two thirds of the Fidelio Trio, Mary & Darragh previously played the UK premiere of my Piano Trio “The Chronophage”, and Darragh was the soloist in Sparking & Slipping at the Royal College of Music last year.
There is also more of my violin music coming to London soon, with Jonathan Morton playing Études Nos. 3 & 4 in February at a London Sinfonietta event featuring films made to the music by students at Central Saint Martins College. More of that later.
Tickets for Darragh & Mary’s concert are here.
‘Encounters with British Composers‘, a new book by Andrew Palmer, contains interviews with around 40 British composers on how they work, how they live, and what, if anything, ‘British music’ is. There’s an interview with me from about 18 months ago inside (that’s me second from the left on the bottom row of the cover), alongside interviews with many more august names.
The book is released on the 19th November, and can be purchased from publishers Boydell and Brewer.
In other news, I have completed my piece for the BBC Philharmonic Orchestra, entitled Sonnet Machine. The orchestra, conducted by Andrew Gourlay, will be recording it in Manchester in early January for broadcast on BBC Radio 3 in April as incidental music to a new 15-minute radio play by Tom Wells, and they will premiere the piece at Manchester’s Bridgewater Hall, also in April. Find out more about the piece here.
Later this month I am spending a week at LOD Muziektheater in Ghent, Belgium, at an opera-writing course called ‘Looking Forward/Looking Back‘. It’s being run by the ENOA network of European opera academies, and led by playwright Martin Crimp. This is the second opera workshop I’ve attended with Martin, after a week with ENOA last year at the Festival d’Aix-en-Provence.
Also in attendance are writers Simone van Saarloos, Nathalie Gendrot, Alice Birch and Isabelle Kranabetter, Sabryna Pierre and Ana Maria Versloot, and composers Adam Maor, Christian Mason, Andrzej Kwieciński, Christiaan Richter, Igor Silva, Anat Spiegel, Nuno da Rocha, Pedro Faria Gomes, Jug Markovic and Frederik Neyrinck. I am very grateful to Aldeburgh Music for supporting my attendance at the workshops.
I have been commissioned by London Sinfonietta to write a new piece for 15-piece chamber orchestra, to be performed by the Sinfonietta conducted by Martyn Brabbins at St John’s Smith Square on 1 June 2016.
The concert is programmed around the world premiere of Harrison Birtwistle’s Duets in a Frame, and also features Francisco Coll‘s Liquid Symmetries and Tansy Davies‘ Falling Angel. Tickets can be purchased at the Southbank Centre website.
The score for my Four Perpetual Motions for ten players is now on sale from Faber Music. I’m very grateful to the estate of László Moholy-Nagy for allowing me to use his wonderful painting Komposition A XXI on the cover.
The piece was commissioned by the Royal Philharmonic Society and first performed by members of the Philharmonia Orchestra conducted by Rüdiger Bohn in 2013. You can purchase the score from the Faber Music Store, or view it online here.
In other news, I’ve just come back from the Aldeburgh festival, where Claire Booth gave a wonderful first performance of Beautiful Caged Thing on Saturday, with the Mahler Chamber Orchestra conducted by George Benjamin, at Aldeburgh’s Snape Maltings Hall. George, Claire and myself are pictured below – it’s been a joy and a privilege to work with these great musicians on a new piece. In addition, London Sinfonietta‘s principal violinist Jonathan Morton gave a performance of my Études Nos. 3 & 4 for solo violin the next day at a festival lunch.
The Aldeburgh Festival is happening this month, and my new orchestral song cycle will be premiered on the 13 June by soprano Claire Booth with the Mahler Chamber Orchestra conducted by George Benjamin.
For Beautiful Caged Thing, commissioned by the festival, I have extracted lines and phrases from Oscar Wilde’s The Picture of Dorian Gray and arranged them to form three poems – ‘I have known everything’, ‘Monstrous marionettes’ and ‘I am tired of myself tonight’.
The concert, at Snape Maltings concert hall, will also feature Wagner’s Siegried Idyll, Benjamin’s A Mind of Winter, Boulez’s Mémoriale and Ravel’s Piano Concerto, featuring festival director Pierre-Laurent Aimard on piano. More information and tickets can be found here.
From today, I am starting a residency hosted by the Britten-Pears Foundation at the former home of Imogen Holst (pictured here with Benjamin Britten and Peter Pears) in Aldeburgh, Suffolk. I will be staying in the property, located at Church Walk in the centre of Aldeburgh, for five weeks and will work on two upcoming pieces for 2016 – my new work for the BBC Philharmonic Orchestra and a concerto for piano and ensemble (more details of which later).
The end of my stay will overlap with the beginning of the Aldeburgh Festival, where soprano Claire Booth and the Mahler Chamber Orchestra will premiere my new orchestral song cycle Beautiful Caged Thing on 13 June, conducted by George Benjamin.
I am grateful to the Britten-Pears Foundation and Aldeburgh Music for their support of this residency.
I have been commissioned by BBC Radio 3 and the BBC Philharmonic Orchestra to write music for a new radio play by Vivienne Franzmann, and to turn the music into a standalone orchestral work which will be performed by the BBC Philharmonic.
Five composer/playwright pairings are being commissioned – myself with Vivienne, Aaron Parker with Francesca Martinez, Nina Whiteman with Esther Wilson, Chiu-Yu Chou with Lee Mattison, and Daniel Kidane with Zodwa Nyoni – and each pair will work on a new play inspired by a Shakespeare sonnet. The radio plays will be recorded by actors and the orchestra at BBC Media City and broadcast on Radio 3 in April 2016. The new, standalone pieces will then be performed by the orchestra at Manchester’s Bridgewater Hall on 23 April, conducted by Andrew Gourlay.